All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old.
Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided ) We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature
Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy!
To get your mural price, enter your wall measurement:
Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class
Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!
Get this artwork "Fall Foliage Great Smoky Mountains X100" in a framed print. Fully customizable - at the exact size you want.
You can select paper type, glass, matte and decorating frame Start building your custom framed print by selecting one the following moulding:
Precisely produced by HD Sublimation Process & Protected by a high-gloss varnish.
Unlike traditional printing — This artwork is produced with by sublimation print. We utilize heat and pressure to transfer images directly into the surface of the Puzzle, bonding your image to the substrate at the molecular level.
Hello! My name is Rich Franco. I'm a Photographer based here in Central Florida and, like many of others, started out with a "hand me down" camera and no idea what to do with it or even what the camera could do. I was in my early 20's at that time and didn't have a lot of money to spend on books or film. So my first trip was to the local Library and the "photography" section and more specifically, the "how to" shelf. There I found an odd assortment of books that described things and subjects that were way over my head. Then I found my first edition of the Time/Life books on Photography and that's where I started! The library only had the first two editions and I was in a hurry to learn! So I found the information where to order the series and that's what I did! Every 6 weeks, I would get a new book in the mail and during the 6 weeks, I would practice what I just learned. By the time most of the books had arrived, I had set up a small B&W darkroom in the cellar and was printing my own images,hand developing the film and enlarging and printing up to 11x14's. Family and friends all received "gifts" of my images, whether they wanted them or not!Eventually, I included making prints from "color negatives" and finally, prints from slides,using the "Cibachrome"process. I can't tell you how many hours I spent, in that dark,damp cellar, little radio on and lost to the world! I moved to Florida and got a real job,but kept my darkroom gear in boxes and waited for a new location to set it up. I finally made room in an extra guest bathroom (no cellars in Florida!) and every time we had friends over, the darkroom went into a hall closet, but it was worth the effort. I was getting better at "seeing" images and creating them and heard about a small "art show" in a town a few miles away and sent in my application,$10! I was accepted and now I had to figure out how I was going to "display" my artwork, since I had no real booth. I found a design from a friend of mine,basically a bunch of panels,that could be hinged together and make a "wall" of images. I made the display and painted it a nice 18% gray and was off to the races! Fortunately for me, the first show really didn't have much competition and I won "First Place" for Photography! I had my photo in the small local paper and was a happy camper!We did a number of shows after that and won some awards and sold some images, not really ever breaking even, but was just for fun,since I still had a full time "real" job. As the shows got larger and my work got better, I was asked a number of times to maybe do some printing for other artists and photographers that saw my "Cibachromes" and wanted me to print for them. This led to me opening up my first business, "Rich Franco Labs" and for the next few years, I was printing and making a living as a "Master Printer". This "exposure" led to me being asked, after clients would see my images that were plastered all over my walls at the Lab, if I would be interested in shooting for them. Without a blink of an eye, I said "Hell yes!" That's how I became a Professional Photographer for more than 40 years. Rich Franco Labs became Rich Franco Photography! I gradually began shooting for the local Architects and Ad Agencies and then National companies. Shooting mostly in Florida and the South East. At one time, I had a huge contract to shoot textbook images for a world wide textbook publisher. At that time, I had a 10,000 sq.ft studio and, when busy, 20+ employees! It was a great time, but as always,great times don't last and mine didn't either. I had to shut down the studio and we had a "going away" party for my business, "The FOTOfactory", and I moved on.I was fortunate again, in that my younger brother, was a photo-editor for the Rolling Stone and he assigned me a few jobs, not feature stories, but still, I could say I was shooting for the "Rolling Stone"magazine. My brother moved on and everywhere he went, I would work on small features for his new magazine. He finally hit the big times and was the Photo Editor for Travel & Leisure magazine and I was again,a happy camper! I traveled around the U.S.,mostly in the Southeast, but a trip or two to the West and through my brother's connections, began to shoot for other magazines, Food&Wine, Gourmet,The Traveler,etc. and times were good. That was a few years ago now and I'm now coming full circle and rebuilding my Fine Art business and with help from Pictorem, look forward to many years more of being a "happy camper"! All my images are available in a larger size if you see an image and it is not the right size for you and your needs. Just email me and I'll upload a larger file. Also, all images are available to be licensed, please contact me for details. Thanks for taking the time to read this and hope you enjoy my images here as much as I did creating them!Rich Franco
ABOUT THIS ARTWORK:
FALL FOLIAGE GREAT SMOKY MOUNTAINS X100
Here is another great example of why folks travel to the busiest National Park, in the Fall! Trees are of every color you can imagine, from still bright green to the warmest golds and reds!
This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in North America (Free shipping)